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Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen, Brian Raftery
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Review “Best. Movie. Year. Ever. is a terrifically fun snapshot of American film culture on the brink of the Millennium. Brian Raftery is the ultimate pop-culture savant. From indies to blockbusters, auteurs to amateurs, he covers it all, as both a keen-eyed journalist and a true movie fan, delivering inside information and no small amount of laughs. I loved this bookâ€"even though it made me want to call in sick for a week, and go back and watch (or re-watch) the movies from this great year in film. An absolute must for any movie-lover or pop-culture nut!â€
â€"Gillian Flynn"Two decades on, modern filmmakers still reference, study and worship the incredible films of 1999. Brian Raftery more than gives this era its due in this tremendously well-researched and insightful book." â€"
Diablo Cody, Academy Award-winning screenwriter of Juno, Young Adult and Tully"Even while it was happening, 1999 felt like an unusually interesting year for film. But what Brian Raftery illustrates in this deeply researched book is that classifying 1999 as interesting doesn't go far enough. It was a hinge moment for cinematic entertainment that still reverberates today, in ways I had either forgotten or never knew originally. This is the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time."
â€"Chuck Klosterman"Brian Raftery expertly wields a journalist’s exhaustiveness and a novelist’s prose in Best. Movie. Year. Ever. His exclusive reporting and inside-out examination of 1999’s groundbreaking movies explain why the year remains the best movie year recorded and one who’s impact and reach will be felt in cinema for years to come." â€"
Jonathan Abrams, New York Times bestselling author of All the Pieces Matter: The Inside Story of The Wire"Best. Movie. Year. Ever. is packed with behind-the-scenes anecdotes from creators, as well as Raftery’s sharp, fair-minded and witty analysisâ€"the culmination of over 30 years of an unwavering love for the big screen."â€"
Mary Kaye Schilling, Newsweek"The amount of research and reporting Raftery has done is as staggering as the year’s list of films. Best.Movie.Year.Ever is a fun and illuminating read and a highly recommended non-fiction title, not only for movie fans but also for lovers of mystery, crime and thriller films."
Mystery Tribune Read more About the Author Brian Raftery is a senior writer for Wired magazine, where he covers film, television, and internet culture. His work has also appeared in GQ, Rolling Stone, Esquire, and New York magazine. He lives in Burbank, California, with his wife and daughters. Read more See all Editorial Reviews Books,Arts & Photography,Photography & Video, Simon & Schuster (April 16, 2019) Version in English
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Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen By Brian Raftery. does not need mush time. You may appreciate browsing this book while spent your free time. Theexpression in this word renders the reader seem to see and read this book again and still. This book was a treat. It was incredibly readable, and it kept me turning pages for hours at a time as I sped through it over the course of a few days. The author's passion for the subject was readily apparent, and it felt like a true labour of love.I've felt for a long time that there was something very special about 1999 in film, and I was thrilled to see the reasons why elucidated so clearly. I was just thirteen during that magical year, and c. 2000 - 2001 was the height of a recent-movie-obsession for me as I spent a LOT of time watching movies on TMN (the Canadian version of HBO) --- I've seen all but maybe three of the films profiled in this book, and most of the ones I've seen are also ones I've loved.The depth of Raftery's research is stunning, and every chapter sees the reader surprised at some of the big names who spoke to him to provide quotes and insight. The way he utilizes their words turns the book into a sort of oral history, a method that was also used to great effect in the recent Kids in the Hall book by Paul Myers and which is infinitely more interesting than a straight biographical approach. I was initially worried that reading about the production of every movie would be a bit of a repetitive slog, but I was happy to be proven wrong, as Raftery places those production stories in the wider context of film history and discusses the impacts that they had on the industry. Not a single story feels out of place.The epilogue was a nice touch, too, reflecting on how filmmaking has changed over the past twenty years, analyzing the long-form storytelling explosion on television (that also began in 1999), and looking to streaming services as the current and future home of the kinds of daring, experimental and radical movies that theaters in 1999 were showing in spades. This book isn't mere nostalgia porn for Gen-Xers and Gen-Yers by any means, but is instead a detailed look at an important chapter of cinematic history, and possibly even a blueprint for how something like it can happen again. Cinephiles, fans of film history, and anyone like me who spent much of their teenage years parked in front of a screen, should absolutely buy this book. It's a red pill worth taking. With extensive access to the players involved, the author provides great insight into a singular year in cinematic history. The book also serves as a wake-up call that such original films, as opposed to the rash of licensed properties, sequels, and remakes that now rule the multiplex, are only two decades in the past. The author does give hope that there could be a creative revival, although he appears convinced that it will occur on the small, rather than silver, screen.
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